idhangthatonmywall:

Hiroshige (1797-1858), Owl on a Maple Branch in the Full Moon, 1832.

idhangthatonmywall:

Hiroshige (1797-1858), Owl on a Maple Branch in the Full Moon, 1832.

not-homophobic-but:

These tweets from @OfRedAndBlue are very important.

fugrats:

ppolishprincess:

only art students/art enthusiasts will get how cool this watch is

literally everyone knows who salvador dali is

fugrats:

ppolishprincess:

only art students/art enthusiasts will get how cool this watch is

literally everyone knows who salvador dali is

yehloser:

haruka and michiru commission for danny <3

yehloser:

haruka and michiru commission for danny <3

louchan:

The fact that in the second opening Mamoru gets to go from standing in the front line with Sailor Moon to being shoved as far back into the background as possible to make room for the lesbians will never not be hilarious and beautiful.

"

A woman who hates you is playing the pianoforte.

You have five hundred a year. From who? Five hundred what? No one knows. No one cares. You have it. It’s yours. Every year. All five hundred of it.

A charming man attempts to flirt with you. This is terrible.

You are in a garden, and you are astonished.

"

policymic:

Kehinde Wiley is turning art history on its head — and every 20-something art lover should know his name

Born in Los Angeles in 1977, the African-American artist works within the boundaries set by the Old European portrait masters like Titian. Wiley’s twist is that he frames the black cultural experience within the pomp, majesty and enormous gilded frames of white art history.

And people are paying attention. 

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